Repertoire | Yale Schola Cantorum

Yale Schola Cantorum Repertoire
Simon Carrington | Director . 2003-2009

Yale Schola Cantorum Repertoire
Simon Carrington

2016-2017 | Yale Voxtet [as guest conductor]
‘Histoires et Dialogues Sacrées de la Musique Baroque Française’ program
Cantique de Moïse | Etienne Moulinié (1600-1669)
Dialogus de anima | Henri Du Mont (1610-1684)
Sacrificium Abrahae H. 402 | Marc-Antoine Charpentier (1643-1704)
2015-2016 | with the Yale Voxtet and Yale Baroque Ensemble [as guest conductor]
‘Christmas in Lübeck Music of Buxtehude and More’ program | program prepared by Kerala J. Snyder
Jauchzet ihr Himmel | Andreas Hammerschmidt (1611-1675)
Gabriel Angelus | Salvatore Sacchi (1572-1622)
Magnificat cum laudibus | Hieronymus Praetorius (1560-1629)
Laudes | Sethus Calvisius (1556-1629)
Laudes | Michael Praetorius (1571-1621)
Es ist ein’ Ros’ entsprungen | Hugo Distler (1908-1942)
Corde natus ex parente | Melchior Vulpius (1570-1615)
Ein kleines Kindelein | Franz Tunder (1614-1667)
Reges terrae congregati sunt | Jacobus Vaet (1529-1567)
Siehe es erschien der Engel | Heinrich Schütz (1585-1672)
Ihr lieben Christen freut euch nun | Dieterich Buxtehude (1637-1707)
2014-2015 [as guest conductor]
‘Splendor and Introspection’ program
In nativitatem Domini canticum H.416 | Marc-Antoine Charpentier (1643-1704)
Litanies de la Vierge H.83
Te Deum H.146
2013-2014 [as guest conductor]
‘The Face of Heaven So Fine’ program [performed in New Haven and on tour in Italy]
Missa Ave Maria in 6, 7, and 8 voice parts | Palestrina (1525-1594)
Take him Earth for Cherishing [for the JFK 50th Anniversary] | Steven Stucky (1949-2016)
Dixit Dominus RV 807 | Antonio Vivaldi (1678-1741)
2012-2013 [as guest conductor]
‘Venetian Vespers ~ Music for St. Mark’s by Rosenmüller and Legrenzi’ program | program prepared by Brian Clark
Domine ad adjuvandum | Giovanni Legrenzi (1626-16990)
Dixit Dominus
Laudate pueri Dominum
Laudate Dominum
Confitebor tipi Domine | Johann Rosenmüller (1619-1684)
Beatus Vir
Salve, mi Jesu
Salve, dulcis Salvator
2011-2012 [as guest conductor]
Solomon | G.F. Handel [with the Yale Baroque Ensemble . Robert Mealy . director]
‘Anniversaries and Messages’ program | [performed in New Haven, as well as on tour in Turkey and Greece]:
Missa Alma Redemptoris Mater | Tomás Luis De Victoria (c. 1549-1611)
Der Geist hilft unser Schwachheit auf | J.S. Bach (1685-1750)
Ave Maria Franz Liszt (1811-1886)
Messages to Myself (2008) | Christopher Theofanidis (b. 1967)
Again (after ecclesiastes) (2005) | David Lang (b. 1957)
2010-2011 [as guest conductor]
‘Concord of Sweet Sounds’ program | Yale Center for British Art
O Lord, make thy servant Elizabeth | William Byrd (1540-1623)
It was a lover and his lass | Thomas Morley (1557-1602)
O grief ev’n on the bud | Thomas Morley
What is our life | Orlando Gibbons (1583-1625)
Farewell, dear love | Robert Jones (fl. 1597-1615)
Though Amaryllis dance in green (2005) | William Byrd
Retire, my troubled soul | John Ward (1571-1638)
Shakespeare Songs | Thomas Arne (1710-1778), ed. Judith Malafronte
Three Shakespeare Songs | Vaughan Williams (1872-1958)
Serenade to Music | Vaughan Williams
‘La Gloire de la Musique Française’ program
Dominus Regnavit | Jean Joseph Cassanea de Mondonville (1711-1772)
with Robert Mealy and the Yale Collegium Players
La mort d’Ophelie | Hector Berlioz (1803-1869)
Le chant des Bretons | Hector Berlioz
Le Ballet des Ombres | Hector Berlioz
Stabat Mater | Francis Poulenc (1899-1963)
with the Yale Symphony Orchestra
Psaume CL, Halleluiah, louez le Dieu | César Franck (1822-1890)
[combined choirs]
‘Sing Ye Birds, a Joyous Song’ program
Western Wind Mass | John Taverner (c. 1490-1545)
The Glory and the Dream (2000) | Richard Rodney Bennett (b. 1936)
with Thomas Murray organ
Glorious and Powerful God | Orlando Gibbons (1583-1625)
Magnificat (Second Service) | Orlando Gibbons
Te lucis ante terminum | John Taverner
‘Venetian Vespers, Savage Altars, Flashing Waters’ program
Chiaroscuro V & St. Thomas 5th Avenue, New York
Confitebor tibi Domine | Giovanni Antonio Rigatti (1615-1649)
Ave Regina caelorum | Alessandro Grandi (1586-1630)
Savage Altars (1991) | Ingram Marshall
Magnificat a 6 | Francesco Cavalli (1602-1676)
Regina coeli laetare | Giovanni Legrenzi (1626-1690)
To the flashing water say: I am (2008) | Joan Panetti
Beatus vir | Claudio Monteverdi (1567-1643)
‘A capella Works from Victorian Britain’ program
in conjunction with the North American Victorian Studies Conference at Yale
At the round Earth’s Imagined Corners | Hubert Parry (1848-1918)
When Mary through the Garden went | Charles Villiers Stanford (1852-1924)
Go song of mine, Op. 57 | Edward Elgar (1857-1934)
I’m seventeen come Sunday | Trad., arr. Percy Grainger (1882-1961)
‘Baltic Voices’ program
Paul Hillier Residency
Laulusild | Veljo Tormis
Lux aeterna | Vaclovas Augustinas
The Dazzled Eye Lost Its Speech | Rytis Mazulis
Three songs | Peteris Vasks
Summer Rain | Toivo Tulev
Magnificat | Arvo Pärt
Nicholas McGegan Residency
As Pants the Hart (from Chondos anthem No. 6) | G.F. Handel (1685-1759)
Te Deum in A major . HWV 282 | G.F. Handel
B Minor Mass | J.S. Bach (1685-1750)
New Haven | Seoul . Korea | Beijing and Shanghai . China
Inauguration of Taylor & Boody Meantone Organ: Marquand Chapel . Yale University
Te Deum: Herr Gott, dich loben wir for 4 choirs | Hieronymus Praetorius (1560-1629)
with the Piffaro Renaissance Band
‘Chiaroscuro IV: Canticles & Cries’ program
Cries of London | Luciano Berio (1925-2003)
Magnificat in D | Jan Dismas Zelenka (1679-1745)
The Canticle of the Sun (1997) | Sofia Gubaidulina
The Cries of London | Orlando Gibbons (1583-1625)
‘Ardo, Ardo: In Love and in War’ program
Madrigal Books VII & VIII (staged) | Claudio Monteverdi (1567-1643)
Stephen Layton Residency
Mass for Four Voices | William Byrd (1539-1623)
A.M.D.G. | Benjamin Britten (1913-1976)
Mairi (1995) | James MacMillan
Hora est: Early Latin Motets | Felix Mendelssohn (1809-1847)
Tu es Petrus
Kyrie with soloists and orchestra
Hora es for 4 choirs
Ave Maria for 16 voices and wind ensemble
Vespers of the Blessed Virgin 1610 | Claudio Monteverdi (1567-1643)
‘Chiaroscuro III’ program
National Collegiate Choral Organisation Convention
San Fernando Cathedral . San Antonio
Usquequo, Domine, oblivisceris me | Francisco Guerrero (1528-1599)
Svogava con le stelle | Claudio Monteverdi (1567-1643)
Le Reniement de St Pierre H424 (No. 528) | Marc-Antoine Charpentier (1634-1704)
A gust inside the god (2006) | Joan Panetti
Im Herbst Op. 104 Nr. 5 | Johannes Brahms (1833-1897)
Sehnsucht Op. 112 Nr. 1 | Brahms
Laudi alla vergine Maria (2004) | James MacMillan (US Premiere)
‘Music for the Chapel Royal of Louis XIV’ program
with Ensemble Européen William Byrd |Graham O’Reilly . director
Magnificat a Deux Choeurs | Henry Dumont (1610-84)
Exultat Animus | Dumont
Le Reniement de St Pierre | Marc-Antoine Charpentier (1643-1704)
Salve Regina a trois choeurs H.24 | Charpentier
Petits Motets | Dumont & Moulinié
‘New Music New Haven’ program
Three Nw Motets (2006) | Steven Stucky
O admirabile commercium
O sacrum convivium
O vos omnes
‘Helmuth Rilling Bach Week’
Christen, ätzet diesen Tag Kantate . BWV 63 | J.S. Bach (1685-1750)
Sanctus in D . BWV 238 | J.S. Bach
Magnificat in Eb . BWV 243a | J.S. Bach
with four Christmas inserts
‘Neo-Romantic Art and Music in Britain’ program
at the Yale Center for British Art
The Windhover | Michael Tippett (1905-1998)
Early One Morning from Songs of the British Isles | Tippett
Choral Dances from Gloriana | Benjamin Britten (1913-1976)
American Choral Directors Association National Convention
Miami . Florida
The Ecstasies Above (2006) | Tarik O’Regan (World Premiere)
Buxtehude Tercentenary
Passion Music with Membra Jesu Nostri | Dietrich Buxtehude (1637-1707)
‘Robert Baker Memorial Concert’
Candidi Facti Sunt | Thomas Tallis (1505-85)
De Sancto Ioanne Baptista (2004) | Tarik O’Regan
David’s Songs IV – Psalm 150 (1985) | William Albright
‘Chiaroscuro II’ program
Welcome to all the pleasures | Henry Purcell (1659-1695)
Rothko Chapel | Morton Feldman (1926-1987)
O sing unto the Lord (1688) | Henry Purcell
The Flight of the Swan (1999) | Giles Swayne
A Good-Night (1999) | Sir Richard Rodney Bennet
Missa Resurrectionis | Antonio Bertali (1605-1669)
with Spiritus Collective . Robert Mealy and Yale Collegium Players
Program conducted by Sir Neville Marriner
with Yale Philharmonia Chamber Players
Vesperae solennes de confessore . K.339 | W.A. Mozart (1756-1791)
St. John Passion . second version (1725) | J.S. Bach (1685-1750)
Graduate Voice Soloists . Robert Mealy and Yale Collegium Players
‘Music of the Americas’ program
with Thomas Murray . organ
Lamentations of Jeremiah | Manuel Sumaya (1678-1756)
David’s Songs (1985) | William Albright
Ezra Laderman 80th birthday concert
Shma I & Shma II (World Premieres)
Chiaroscuro I
Selva Morale e Spirituale (1641) | Claudio Monteverdi (1567-1643)
with Yale Collegium Players
O ciechi, ciechi
Laudate Dominum
Sanctorum meritis Primo
Magnificat Secondo
Salve Regina a tre voci
Canti di Prigionia | Luigi Dallapiccola (1938-1941)
with Yale School of Music Instrumental Ensemble
‘Vesperae longiores ac breviores’ program
Vesperae longiores ac breviores (1693) | Heinrich Biber (1644-1704)
Deus in adiutorium meum intende | Heinrich Biber
Domine ad adiuvandum me | Rupert Ignaz Mayr (1646-1712)
Dixit Dominus | Heinrich Biber
Confitebor tibi Domine | Heinrich Biber
Beatus vir | Heinrich Biber
Laudate, pueri, Dominum | Heinrich Biber
Laudate Dominum | Heinrich Biber
Hymn: Ave maris stella | Emperor Leopold I (1640-1705)
Sancta Maria Dei | Rupert Ignaz Mayr
Magnificat | Heinrich Biber
Salve Regina | Giovanni Legrenzi (c. 1620-1690)
‘Ecstatic Meditations’ program
Missa Veni Sancte Spiritus | Pierre de Manchicourt (c. 1510-1564)
Ecstatic Meditations (1998) | Aaron Jay Kernis
Rejoice in the Lord alway | Henry Purcell (1659-1695)
Hymn to St Cecilia | Benjamin Britten (1913-1976)
conducted by Sir David Willcocks
Nunc Dimittis (2005) | Robin McClellan
commissioned by Yale Schola Cantorum
Arise my love | Daniel Kellogg
Shall I compare thee to a summer’s day | Niels Lindberg
Wildwood Flower | arr. Jennifer Higdon
Swing | Jennifer Higdon
Debut Concert | Sprague Memorial Hall
with Robert Mealy and the Yale Collegium Players
Musica Dei Donum | Orlandus Lassus (1532-1594)
Musikalische Exequien | Heinrich Schütz (1585-1672)
Cantata No. 93 Wer nur den lieben Gott läßt walten | J.S. Bach (1685-1750)
in honour of the 80th birthday of Professor Jarislav Pelikan
Shma I (first performance) | Ezra Laderman
Credo from Missa Ma Bouche Rit | Anonymous (c. 1500)
Das deutsche Patrem | Luther Hymnal sequence
Das deutsche Patrem | Balthazar Resinarius (1485-1544)
Das deutsche Patrem | Andreas Raselius (1563-1602)
Das deutsche Patrem | Johann Nepomuk David (1895-1977)
Credo (revised verson, 1964) | Igor Stravinsky (1882-1971)
Credo (1972) | Einojuhani Rautavaara
Credo from Brief Mass (1996) | Dan Locklair
‘In Memoriam Marc-Antoine Charpentier (1634-1704)’ program
with Robert Mealy and the Yale Collegium Players
Ouverture pour Eglise, H.524 (No. 355)
Confitebor tibi H.225 (No. 480)
Le Reniement de st Pierre H424 (No. 528)
Dances for the Comtesse d’Escarbagnas H. 494 (No. 298)
Magnificat a trios voix sur la meme basse avec symphonie H. 73 (No. 282)
Salve Regina a trois choeurs H.24 (No. 58)
Conserva me Domine H230 (No. 265)
Seven Last Words from the Cross (1994) | James MacMillan
with Yale School of Music string players . conducted by the composer
Beatus via | Claudio Monteverdi (1567-1643)
with Robert Mealy and the Yale Collegium Players
‘Bach Family Motets program
with Martin Jean . organ
Präludium und Fuge Es-Dur | Johann Christoph Bach (1642-1703)
Unser Leben ist ein Schatten | Johann Bach (1604-1673)
Du Friedenfürst, Herr Jesu Christ (Partita) | Johann Bernhard Bach (1676-1749)
Fürchte dich nicht | Johann Christoph Bach (1642-1703)
Nun hab’ich überwunden | Johann Michael Bach (1648-1694)
Fantasia in G Minor . BWV 543a | J.S. Bach (1685-1750)
Unsere Trübsal | Johann Ludwig Bach (1670-1731)
Fugue in G minor . BWV 543b | J.S. Bach
Das ist meine Freude | Johann Ludwig Bach (1670-1731)